“Marie’s beautiful acrylic paintings of coral reefs and other undersea creations just remind us what a treasure we’ve got there, just beneath the waves.” “We’ve all read about the destruction of the coral reefs and what an ecological disaster that is for all of us, if we don’t make changes in the way we’re polluting the ocean,” Rehkopf says. 29 opening, the museum welcomes art-scholar Meghan O’Callaghan for a talk about several of the pieces on display, followed by a reception.Īt the same time, the museum’s Second Floor Gallery is hosting the opening of a new solo exhibit by MarinMOCA member artist Marie Krajan, “Deep Secrets,” which captures the wonder and vulnerability of the ocean’s coral reefs in paintings that emphasize the need for ocean conservation.
#Elmer bischoff professional#
“We are really thrilled to be able to share professional exhibitions with local school kids for absolutely free,” Rehkopf says.įor the Feb. Open to the public through April 19, the exhibit will also be viewed by several hundred Novato fourth-grade students as part of MarinMOCA’s education programming. “It’s going to be a feast for the eyes,” Rehkopf says. The exhibit also features seven large oil paintings that are more than 4 feet by 5 feet in size, as well as works that depict local sights like the Marin Headlands. “Some curators have called it the Bay Area Figurative School, but I know that Elmer Bischoff really resisted having any label applied to him.” “It’s emblematic of the way he used his experience as an abstract painter to create a brand-new style for figure painting,” she says. Elmer Bischoff (19161991) is generally regarded as one of the leaders among the artists in the San Francisco Bay Area who, after contributing to the local emergence of Abstract Expressionism during the 1940s and 50s, shifted the terms of their spectacularly sensuous brushwork to recognizable imagery. “For most people, they’ve only seen these works in books,” Rehkopf says.įeatured paintings include the 1959 oil painting Figure Seated In Backyard, which Rehkopf describes as evocative, romantic and contemplative. All together, the survey includes 38 works that have never all appeared together at once, and which chronicle Bischoff’s journey through abstract and figurative movements. Elmer Bischoff is one of those legends.”įor this exhibit, the museum worked with the Bischoff Family Art Trust, Bischoff family members, private collectors and Napa’s di Rosa Center for Contemporary Art. A dedicated artist and teacher from a young age, Bischoff earned an M.A.
“Even though we are a contemporary art museum, we like to honor those who have come before us. Elmer Bischoff (1916-1991) Elmer Bischoff paintings are quickly recognized by those familiar with his soft tonal palate, exquisite use of light and shade and sensitive portrayal of people. “Each year we like to highlight a visual artist that we think has had an impact on the Bay Area art scene,” says MarinMOCA Executive Director Nancy Rehkopf. Now, for the first time, Marin Museum of Contemporary Arts has gathered a collection of nearly 40 of Bischoff’s most expressive and impressive works for its latest exhibit, “Elmer Bischoff: A Survey of Paintings and Drawings, 1937–1972,” which opens on Saturday, Feb. 2011/09/elmer-bischoff-.Few artists had as much impact on the development of artistic movements in the 20th century Bay Area as Elmer Bischoff, from his contributions to abstract expressionism in the 1940s and ’50s, to his pioneering work in the figurative movement through the 1970s. Bischoff taught as he painted - avoiding the party line of powerful critics and allowing his students the freedom to paint from life. These California artists felt that pure abstraction could not convey all they wanted to express, and returned to images of the human body. Painting the figure, as Bischoff and other Bay Area artists chose to do throughout the 1950s and 1960s, challenged the prevailing idea of what art ought to be. The distance between the two women, the stillness of their bodies, and strong contrasts of light and shadow lend the image the sharpened, poetic quality of memory. We perceive them as figures and as clusters of skilful marks in a network of brushstrokes. Bischoff (Berkeley, California, 1916 - Berkeley, California, 1991) covered the canvas with hot reds, greens, and cool blues, and his liquid paint gives the women the same substance as the landscape. Both Park and Bischoff have later diverged far from the style, employing. Two Bathers is a classical scene filtered through the abstract expressionism that dominated American art after World War II. David Park and Elmer Bischoff, might be termed the circle of Still. As one of the first Bay Area artists to turn from Abstract Expressionist and Surrealist works to figuration in the 1950s, Elmer Bischoff, along with his.
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